Friday, January 17, 2020

Week Two: Osamu Tezuka

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This week we are focusing on the work of Osamu Tezuka, the central figure in the development of the manga/anime cultural industry after the second world war. Remember to post your four panel manga from our first class. 

Please Read: Tezuka's story manga from the 1970s, Ayako before coming to class.  Here is a link to that work:


If you are looking to read background for this week, the official biography in manga, The Osamu Tezuka Story is an excellent and comprehensive (900 pages) biography in manga of this major figure in the development of comics. In class we will look at some of Tezuka's Anime, both some experimental and commercial work and consider the beginnings of the manga/anime industry. 

Topic Selection: Besides our consideration of work by Tezuka, we will be organizing the class presentations for the semester.  Please bring a couple of suggestions for artists/works that you would like to have the seminar read or watch this semester and that you would like to report on.  The syllabus is divided into topics and you can get a general idea of where you presentation might fit. I will have some specific topics I will hope someone will want to present on. Topics can be rearranged or added to fit the interests of the class, so if you don't see a place your topic might fit, offer it anyway.   Topics can be based on manga or anime, although many topics will span both media. 
Topics in manhua or manwha  or Korean or Chinese animation are also welcome. 

 You need to prepare to show us some samples of anime and/or give us samples to read or links to manga sites where we can read examples of  the work on which you are presenting.  You need to give us a brief overview of your topic and then present three questions around the topic you think will make for good discussion. Try to give us as much context for considering the work as you can.

This week, be prepared to discuss Ayako, during class discussion.   In class we will also discuss how to approach your blog posts for this class.

Here is a link to the Seminar Resources. There is also a link in the Course Links Box.

Here is a link to a brief but reasonably researched blog post on Tezuka and his contribution to the production of manga and anime, especially his development of a drawing style that fused western and Japanese approaches and created a simplified way of drawing that allowed for faster production and longer stories: The Mighty Atom and Tezuka's Production System

And this article by the comics scholar Paul Gravett who is a frequent writer on Manga discusses Manga's Impact on Comics

Here is a link to Tezuka in English a decent website exploring Tezuka's life and work. 

Here is a link to an excellent youtube discussion of the Takarazuka Revue.
Part One        Part Two Traces the relationship between Takarazuka Revue and Revue Starlight.

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About Me

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Born in Rapid City, SD, raised in Wyoming, California and Idaho. I graduated from Skyline High School in Idaho Falls in 1967. BA in English from Carleton College, 1971. MA in Creative Writing and Literature from Boston University, 1974. Ph.D. from the University of South Florida, 2006. Through the 1970s I was a poet-in-residence for a number of communities in the Commonwealths of Massachusetts and Kentucky. In the first half of the 1980s I was a new vaudevillian working as a clown, juggler, magician and male stripper. From 1984 to 1989 I was a journalist working for magazines and newspapers. I began teaching in higher education in 1986 and started at the Ringling College of Art and Design in 1988. I am currently a member of the full-time faculty and Curriculum Advisor for the Literature Area of the Liberal Arts Program. My academic specialities are in the areas of comics, speculative fiction and media studies. My current academic interests are in issues involving narrative, world-building and emerging virtual realities.